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[post_title] => Submit to Designlines [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => submit [to_ping] => [pinged] => [post_modified] => 2017-03-23 13:18:23 [post_modified_gmt] => 2017-03-23 17:18:23 [post_content_filtered] => [post_parent] => 0 [guid] => http://dl.newbox.ca/?page_id=274 [menu_order] => 0 [post_type] => page [post_mime_type] => [comment_count] => 0 [filter] => raw ) [4] => WP_Post Object ( [ID] => 44251 [post_author] => 19 [post_date] => 2019-09-17 09:15:05 [post_date_gmt] => 2019-09-17 13:15:05 [post_content] => The tiny community of Wellington, Prince Edward County has a new attraction for out-of-towners, particularly those with dogs and driver’s licenses. Inspired by retro drive-up motels, the Drake Motor Inn is located a few minutes away from the hospitality brand’s first wine country outpost, the Drake Devonshire. Here, mid-century inspired touches – designed in-house by Joyce Lo and Carlo Colacci, co-founders of the Drake General Stores – meet modern amenities in two buildings. Think keyless outdoor check-ins, rental Polaroid cameras and dog beds on request. thedrake.ca/drakemotorinn
Also worth exploring on Main Street in Wellington:
    • The Wellington Branch Library houses a cozy of books and magazines in a charming heritage building, 261 Main Street
    • Grab coffee through the window of Enid Grace Cafe, 303-1 Main St, and authentic Mexican grub at La Condesa, 298 Wellington Main Street
    • Explore the Millennium trail on rental wheels from Ideal Bikes, 305 Main Street

[post_title] => In PEC, Park and Stay at the Drake Motor Inn [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => in-pec-park-and-stay-at-the-drake-motor-inn [to_ping] => [pinged] => https://www.designlinesmagazine.com/get-the-devonshire-look/ [post_modified] => 2019-09-17 15:17:06 [post_modified_gmt] => 2019-09-17 19:17:06 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.designlinesmagazine.com/?p=44251 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [5] => WP_Post Object ( [ID] => 43341 [post_author] => 19 [post_date] => 2019-09-17 09:05:18 [post_date_gmt] => 2019-09-17 13:05:18 [post_content] => Normalizing cannabis -- and stripping it of its stoner culture stigma -- is a feat for licensed producers. One approach is to encircle it with facts, and cultivate a contemporary, inclusive lifestyle with all the trappings. “We’ve had a strong focus on creating a community, educating future consumers and trying to undo some of the harmful propaganda that stereotyped cannabis during prohibition,” says Kirsten Gauthier, creative director of 48North, an Ontario cannabis company. The plethora of disposable Dazed and Confused-style accessories in the marketplace doesn't help. Enter Vanessa Eckstein of Blok Design. “We moved away from what a cannabis product looked like in the past and took it into a place where it can be appreciated as a unique object in our everyday lives.” And so, for F8, the accessory brand she and her team conceived for 48North, Blok reinvented the ubiquitous grinder. “We developed it in brass with the values of longevity and timelessness both in design and materiality,” says Eckstein. “Its texture was inspired by nature and the sensuality of its lines suggest the movement and functionality of the grinder itself.” Measuring seven centimetres in diameter, the toothy five pound–accessory is not to be stashed away for fear of judgement but rather, as Eckstein says, “meant to be held in your hands with a sense of belonging.” Originally published in our Best New Homes & Condos issue 2019 as One Thing. [post_title] => Why 48North and Blok Design Are on a Design High [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => 48north-blok-design-cannabis-grinder [to_ping] => [pinged] => https://www.designlinesmagazine.com/whats-inside-our-best-new-homes-issue-out-now/ [post_modified] => 2019-09-17 15:16:20 [post_modified_gmt] => 2019-09-17 19:16:20 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.designlinesmagazine.com/?p=43341 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [6] => WP_Post Object ( [ID] => 27771 [post_author] => 14 [post_date] => 2019-09-17 09:00:03 [post_date_gmt] => 2019-09-17 13:00:03 [post_content] => When an active family of hockey players, dancers and gymnasts decided to build a dream home in 2013, they envisioned an equally high-performance design. Amanda and Ryan, a professional couple with three children, wanted a house that would be tough, but also graceful and nimble like an athlete. So, they hired the guy who designed their favourite gym: Totum Life Science on King Street West, an airy, split-level concept with warm, tactile wood floors. They hoped Arriz Hassam, principal at Arriz + Co., would bring that same breezy sensi-bility to their five-bedroom house, an original build in Leaside. [caption id="attachment_33970" align="alignnone" width="1300"] Mahogany and zinc panelling accents the black brick-clad Leaside home. Loewen windows; landscaping by Earth Inc.[/caption] Cathy Garrido, a principal at Altius Architecture, designed the overall structure, a sturdy, ironspot-brick box with Douglas fir soffits and an 85-square-metre kitchen and living room. “When you have a big, wide-open floor plate,” she says, “you must ask yourself: ‘How do you create a sense of unfolding – a sense of surprise?’” To achieve this effect, she envisioned the front foyer as a sober antechamber that opens, dramatically, to the main house. Within this expansive area, Hassam used natural materials and unobtrusive furnishings, which demarcate regions without cutting them off from one another. The living room – which is defined, in part, by spindly tan-leather chairs and a custom daybed – can overflow into the space behind it, a bar area that aligns with the marble kitchen island. “All of a sudden, what was an intimate space can become a grand space,” says Hassam. Although the furniture is low-slung, the built-in cabinetry is tall and thin, accentuating the 3-metre-high ceilings. These elongated forms appear throughout, including in the mudroom at the side entrance, where each family member has a millwork “locker” for helmets, cleats and hockey sticks. [caption id="attachment_33971" align="alignnone" width="1300"] Wall sconces from Design Within Reach light the master bedroom. Bed and nightstand from Urban Mode.[/caption] Amanda and Ryan wanted a wheelchair-accessible home – an increasingly common request – so they wouldn’t have to renovate or move should their needs ever change. Accessibility, says Garrido, isn’t just a matter of installing an elevator, although she certainly did that. It also means building gracious, even floor plans. The ground level is entirely at grade for a seamless transition between indoors and outdoors. And the wraparound second-floor landing is 1.5-metres wide at every turn. Accessible space, it turns out, is also beautiful. “Everyone should have wide hallways,” says Amanda. [caption id="attachment_27773" align="alignnone" width="650"] Refined perches are abundant in the family room: sofa from Avenue Road, armchairs from Hollace Cluny, a custom-designed daybed (made by Barrymore) and a built-in soapstone bench. Fireplace tools from Mjölk.[/caption] In keeping with the “high-performance” theme, Hassam’s material palette is timeless and durable: white walls and white oak floors grounded by dark accents, including a soapstone bench in the living room, touches of grey slate and, for the kitchen backsplash, mosaic tiles by Spanish designer Patricia Urquiola. [caption id="attachment_33975" align="alignnone" width="1300"] The landing overlooks the front foyer and a 3.6-metre-long table by Heidi Earnshaw in the dining room. Sculpture by John Paul Robinson.[/caption] The main attraction, though, is natural light, which streams in not only from the floor-to-ceiling windows but also from the 7-metre-high atrium above the dining-room table. Sun even reaches to the basement – which, of course, includes a state-of-the-art gym – via a concrete light well. Hassam and Garrido were adamant that no single room would be cut off from the light flow. Incredibly, they achieved that goal. “Design,” says Hassam, “is an exercise in excellence.” Spoken like a true champion. Originally published in our Fall 2017 Issue as Exercise in Design. [post_title] => In Leaside, An Exercise in Good Design [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => leaside-exercise [to_ping] => [pinged] => [post_modified] => 2019-09-17 15:15:52 [post_modified_gmt] => 2019-09-17 19:15:52 [post_content_filtered] => [post_parent] => 0 [guid] => https://designlinesmagazine.com/?p=27771 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [7] => WP_Post Object ( [ID] => 43418 [post_author] => 19 [post_date] => 2019-09-10 08:05:13 [post_date_gmt] => 2019-09-10 12:05:13 [post_content] =>
Chase Hospitality Group president Steven Salm’s brief to interior design firm Nivek Remas: create an Asian version of his popular vegan restaurant chain. And the result: the most remarkable large-scale restaurant space Toronto’s seen since Commute Design’s Oretta. Located in what was Nota Bene on Queen near University, street market-style seating fronts a coralline tunnel which leads into a series of seating areas, breaking the otherwise open concept into individual spaces inspired by East Asian residential courtyards, separated by low walls and powder-coated steel lattices. Where Oretta is a single, cavernous chamber, Planta Queen creates intimate spaces in what is usually a packed space, focusing attention with lighting in addition to the physical segmentation, brought together with a bold but complementary palette. At the rear of the restaurant, the opaque amber glass separating the dining area from the kitchen serves as a large-scale light diffuser. “We tested a few different colours,” Nivek Remas designer Samer Shaath says, “but that amber glow worked best. People just look better with warm tones.” The strongest aesthetic statement in Planta Queen comes from the custom wall coverings by Toronto’s Candice Kaye. Its mega-floral imagery is set against dark humus backgrounds and punctuated with koi fish and the occasional dragon. The motifs are reflected in dishes like Chef David Lee’s Ahi watermelon nigiri and cocktails like the bright pink Full Moon with its dragon-fruit juice, lantern-like points of light among the subdued hues creating a rare level of interplay between food and design that’s worth experiencing. [post_title] => Planta Packs in the Crowds on Queen West [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => planta-packs-in-the-crowds-on-queen-west [to_ping] => [pinged] => [post_modified] => 2019-09-10 10:50:11 [post_modified_gmt] => 2019-09-10 14:50:11 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.designlinesmagazine.com/?p=43418 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [8] => WP_Post Object ( [ID] => 44206 [post_author] => 19 [post_date] => 2019-09-10 08:00:41 [post_date_gmt] => 2019-09-10 12:00:41 [post_content] =>
Lakeview Community Partners has tapped Boston architecture firm Sasaki – whose credits include the Riverwalk in Chicago and 798 Arts District in Beijing – to design a sustainable mixed-use neighbourhood on Mississauga’s waterfront. The 177-acre redevelopment, dubbed Lakeview Village, sits on the site of a former coal factory. “It’s rare to find a project of this size and scope anywhere in the world,” says Sasaki principal Dennis Pieprz. In fact, when completed, the community will house up to 17,000 people. Residents will have access to abundant retail, office and outdoor space, including – early renderings show – a waterway. The design is still being refined, but one thing’s for sure: Lake Ontario is going to feel a lot closer to home. From Three Character-Defining Projects On the GTA's Horizon. Originally published in our Best New Homes issue, 2019.  [post_title] => Mississauga Plans an Exciting Gateway to the Lake [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => lakeview-community-partners-mississauga [to_ping] => [pinged] => https://www.designlinesmagazine.com/whats-inside-our-best-new-homes-issue-out-now/ [post_modified] => 2019-09-10 10:48:25 [post_modified_gmt] => 2019-09-10 14:48:25 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.designlinesmagazine.com/?p=44206 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [9] => WP_Post Object ( [ID] => 44176 [post_author] => 19 [post_date] => 2019-09-04 09:59:04 [post_date_gmt] => 2019-09-04 13:59:04 [post_content] => About a decade ago, I started a summer job at Toronto’s Royal Ontario Museum (ROM). On the first day, as the gift shop’s summer students learned to use the cash registers and negotiate the slanted floors of Daniel Libeskind’s Michael Lee-Chin Crystal, our supervisor took us aside to tell us about one last policy: Don’t talk about the architecture of the ROM Crystal. By the end of the week, I understood what all the fuss was about. While visitor comments about the sheer weirdness of the design were deflected with a practiced boilerplate (“some people like it, some people don’t”), more incisive jabs about incoherent layouts, dark interiors and cheap-looking finishes were harder to parry. The Crystal, which radically transformed the face of a century-old museum, had undeniable problems. Writing in Azure, Daniel Viola did not exaggerate when he proclaimed that the ROM Crystal “may be the most hated building in Canada.” A dozen years after the Crystal’s opening, however, it suddenly feels different. An inviting new landscape – unveiled this week – now fronts the building, vastly improving both the experience of Libeskind’s design and the museum’s broader relationship to the city. Designed by Siamak Hariri of Toronto’s Hariri Pontarini Architects, a pair of modest spaces now embrace the Crystal, meeting its sharp, declarative angles with a softer face. On Bloor Street, the Reed Family Plaza introduces seating and greenery, while the Helga & Mike Schmidt Performance Terrace overlooks the Philosopher’s Walk footpath. The seamlessly linked spaces rest on a foundation of warmly patinated Algonquin limestone. Deftly angled to draw in pedestrians, the planters and walkways of the Reed Family Plaza quietly translate the kinetic energy of the crystal to street level, while negotiating a transition from the busy sidewalk to a more tranquil environment. There’s a comfortable sense of enclosure but not isolation. Framed by seating, the planting beds are filled out with a selection of native flora. The greenery provides vital shade while the long planters create angled pathways that invite visitors to take in the drama of the ROM Crystal above. Set against the shrubs and sumac trees, Libeskind’s design feels more alive – and more a part of the city. The plaza replaces a mostly vacant concrete frontage, which was outfitted only with a cluster of stone benches. Exposed to the street and the elements, the liminal space was an awkwardly unresolved extension of the sidewalk. (I avoided it on my lunch breaks, feeling somehow swallowed up by both street and sun). To the immediate east, the neighbouring Helga & Mike Schmidt Performance Terrace carries Hariri’s design language into a different kind of space. Tucked in between the Crystal, the north end of the museum’s original 1914 wing – an Italianate cum neo-Romanesque design by Darling & Pearson – and Philosopher’s Walk, the terrace carves out an open space for public programming. Here, concerts, presentations and performances are set to play out from an elevated plinth, with the yellow brick of Darling & Pearson’s design setting a handsome backdrop. It’s a simple but compelling addition, replacing a vacant concrete platform with a much more dynamic presence. It also provides an important new venue for the museum, allowing the ROM’s programming to permeate into the public realm. (For an outdoor space in the heart of the city, the acoustics are surprisingly good). Like the neighbouring plaza, the outdoor space also revitalizes its neighbours, with the museum’s 1914 and 2007 wings both drawing the eye with a new sense of intimacy. Today, the ROM Crystal is a relic of a bygone era. Just looking at the thing dredges up the the last decade’s urban vocabulary. When I pass by, terms like “starchitect” and “world-class city” awaken from dormancy in its presence. But all of that seems long ago. The ROM – and Toronto itself – are different now. If the embrace of Libeskind’s back-of-a-napkin drawing evinced the hunger of a city trying to make it on the global stage, then perhaps the grace of the museum’s recent improvements reflects the assured dignity of a city that knows it has finally arrived. [post_title] => Two Public Spaces Bring Warmth to the ROM Crystal [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => torontos-rom-crystal-green-makeover [to_ping] => [pinged] => [post_modified] => 2019-09-04 10:00:00 [post_modified_gmt] => 2019-09-04 14:00:00 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.designlinesmagazine.com/?p=44176 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [10] => WP_Post Object ( [ID] => 43475 [post_author] => 19 [post_date] => 2019-09-04 09:10:30 [post_date_gmt] => 2019-09-04 13:10:30 [post_content] =>

White on White

When we last featured from Boychuk Fuller, they had just completed a "treehouse" renovation of their Parkdale attic. Here they spotlight a very different aesthetic: "simple, functional and squeaky clean." Read the story here.

Forest Bathing

This lofty bathroom by Ancerl Studio considers the Maple tree canopy at every turn: from branched tiles to soaring windows (don't worry, there's a privacy screen). Read the full story here.

All In

Post Architecture, who recently completed this awesome bungalow transformation, worked with Analogue Design Studio on this peaceful loo, where a freestanding tub steals the show. Read the story here.

Sky's the Limit

Most of us wouldn't think of adding a skylight to a powder room. But Cab Architects, the duo behind this brilliant kitchen storage idea, aren't typical designers. Read the full story here. [post_title] => 4 Blissful Bathrooms Chock-Full of Design Inspiration [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => 4-blissful-bathrooms-chock-full-of-inspiring-takeaways [to_ping] => [pinged] => https://www.designlinesmagazine.com/boychuk-fuller-bathroom-design/ https://www.designlinesmagazine.com/attic-tree-house/ [post_modified] => 2019-09-04 09:55:34 [post_modified_gmt] => 2019-09-04 13:55:34 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.designlinesmagazine.com/?p=43475 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [11] => WP_Post Object ( [ID] => 37994 [post_author] => 13 [post_date] => 2019-09-04 09:00:14 [post_date_gmt] => 2019-09-04 13:00:14 [post_content] =>

If you’re looking for a high-design renovation, a nearly 30-year-old traditional house in Summerhill seems an unlikely place to find it. And yet this house, with its improbable combination of a mansard roof and built-in garage, proved fertile ground for a modern family dwelling. It was bought by a thirtysomething couple that was ready to leave King West for a more family-oriented neighbourhood. “We wanted somewhere to lay down roots,” the homeowner says.

[caption id="attachment_38011" align="alignnone" width="1300"] The living room with its 5.2-metre-tall ceiling brings in light from the south-facing deck. Sofa from Italinteriors, pendant and floor lamps from Hollace Cluny, painting by Bobbie Burgers.[/caption]

After moving in and having two kids, however, they wanted to remake what the client calls a “seriously dated” interior that featured brown granite counters and glass block in the bathrooms. Enter Brian O’Brian of Omas:Works (Office Works website here), and interior specialists Croma Design. The firms stripped away ornament and made a few careful alterations, revealing the modernist spirit hiding behind the mouldings.

[caption id="attachment_38880" align="alignnone" width="1300"] Humphrey, the family corgi, is reflected by a Coolican & Company mirror.[/caption]

Up a long flight of exterior stairs, a black-stained door and black mailbox hint at the house’s new character. Inside, it’s more obvious. Pale white-oak flooring extends across a bright main floor toward the two-storey windows at the rear, and to the kitchen to the left – ruled by thick slabs of Bianco Carrara marble and a few well-proportioned white doors. (The master suite fills the second floor, while a kids’ room, guest room and playroom occupy the top floor.) All have the same simple palette of white oak in two finishes, one type of marble and white drywall.

[caption id="attachment_38014" align="alignnone" width="1300"] Marble covers the countertops, backsplash and hood vent in the Boffi kitchen (from Italinteriors). Pendants from Mjölk; stools by Coolican & Co.; faucet from Ginger’s.[/caption]

That moderation is thanks to Croma, led by Ryan Martin and Amy Kent. They’ve worked with the clients before, and “we knew they enjoy simplicity and appreciate high-quality materials,” Martin says. Accordingly, Croma, who chose the finishes and collaborated with O’Brian on other design aspects, worked to “make the house as simple as possible.”

[caption id="attachment_38019" align="alignnone" width="1300"] Skylights reign over the third-floor playroom, where an articulated corner and slots in the guardrails add interest to the space.[/caption]

O’Brian, meanwhile, helped this simple house also be interesting. “Architects think spatially first,” O’Brian says, “and you can see that in the way this design has come together.” Above the main staircase, O’Brian reshaped the ceiling below the two skylights that usher in light from above and to the north, then visually opened the stair onto the double-height living room, adding a partial wall at the top to shield the third-floor playroom. This arrangement of planes and peekaboo gaps provides spaces that are childproof, and private yet connected – full of daylight and a very modern spirit of experimentation.

[caption id="attachment_38069" align="alignnone" width="1300"] Bianco Carrara (from Ciot) clads the shower walls in the master ensuite.[/caption]

The clients credit their two designers for their dedication and discipline. O’Brian “didn’t care about the size of the project,” the homeowner says, “but about what he could do for the client.” And to take a house like this from traditional to “both calm and full of visual interest,” as O’Brian suggests, was a historic feat.

Originally published in our 2018 Reno issue as Hitting New Heights.

[post_title] => In Summerhill, Architect Brian O'Brian Crafts a Young Family's Forever Home [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => omasworks-crafts-a-forever-home-for-a-young-family [to_ping] => [pinged] => https://designlinesmagazine.com/whats-inside-our-newest-reno-issue-out-now/ [post_modified] => 2019-09-04 09:53:26 [post_modified_gmt] => 2019-09-04 13:53:26 [post_content_filtered] => [post_parent] => 0 [guid] => https://designlinesmagazine.com/?p=37994 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) ) [post_count] => 12 [current_post] => -1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 18328 [post_author] => 14 [post_date] => 2015-12-02 15:49:52 [post_date_gmt] => 2015-12-02 20:49:52 [post_content] => Best wishes for the holidays, from all of us at Designlines. We’re taking a short break, but will be back on January 4. Meanwhile, here’s some year-end reading: Brookfield Place, 181 Bay St. How Downtown Decorates for the Holidays DL-1215-BestofYear-Alannas 2015 in Review: Our Most Popular Stories DL-1215-BestofYear-Molteni3 2015 in Review: Toronto's Best New Design Stores DL-1015-DiningRooms-3 Design Ideas from 12 Fresh, Real-Life Dining Rooms  [post_title] => Happy Holidays from Designlines [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => happy-holidays-from-designlines [to_ping] => [pinged] => https://designlinesmagazine.com/2015-in-review-our-most-read-stories/ https://designlinesmagazine.com/toronto-office-towers-christmas-decorations/ https://designlinesmagazine.com/photo-gallery-dining-rooms/ [post_modified] => 2016-01-04 11:02:36 [post_modified_gmt] => 2016-01-04 16:02:36 [post_content_filtered] => [post_parent] => 0 [guid] => https://designlinesmagazine.com/?p=18328 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [comment_count] => 0 [current_comment] => -1 [found_posts] => 1180 [max_num_pages] => 99 [max_num_comment_pages] => 0 [is_single] => [is_preview] => [is_page] => [is_archive] => [is_date] => [is_year] => [is_month] => [is_day] => [is_time] => [is_author] => [is_category] => [is_tag] => [is_tax] => [is_search] => 1 [is_feed] => [is_comment_feed] => [is_trackback] => [is_home] => [is_404] => [is_embed] => [is_paged] => [is_admin] => [is_attachment] => [is_singular] => [is_robots] => [is_posts_page] => [is_post_type_archive] => [query_vars_hash:WP_Query:private] => 9c476237b580a66744e0ec605d104b90 [query_vars_changed:WP_Query:private] => 1 [thumbnails_cached] => [stopwords:WP_Query:private] => Array ( [0] => about [1] => an [2] => are [3] => as [4] => at [5] => be [6] => by [7] => com [8] => for [9] => from [10] => how [11] => in [12] => is [13] => it [14] => of [15] => on [16] => or [17] => that [18] => the [19] => this [20] => to [21] => was [22] => what [23] => when [24] => where [25] => who [26] => will [27] => with [28] => www ) [compat_fields:WP_Query:private] => Array ( [0] => query_vars_hash [1] => query_vars_changed ) [compat_methods:WP_Query:private] => Array ( [0] => init_query_flags [1] => parse_tax_query ) ) -->