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[post_title] => Submit to Designlines [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => submit [to_ping] => [pinged] => [post_modified] => 2017-03-23 13:18:23 [post_modified_gmt] => 2017-03-23 17:18:23 [post_content_filtered] => [post_parent] => 0 [guid] => http://dl.newbox.ca/?page_id=274 [menu_order] => 0 [post_type] => page [post_mime_type] => [comment_count] => 0 [filter] => raw ) [4] => WP_Post Object ( [ID] => 36033 [post_author] => 13 [post_date] => 2018-07-13 16:03:23 [post_date_gmt] => 2018-07-13 20:03:23 [post_content] => On Wonder Inc.'s website, the first thing visitors encounter is a quote by Rem Koolhaas: "People can inhabit anything." It's a sentiment that the Toronto interdisciplinary studio, known for its explorative takes on modular housing, take dead seriously. Led by Jason Halter, Wonder Inc. has experience designing container structures in China, the U.S. and Canada, which is why it was hand-selected to built Redhouse, the first shipping container home dropped, installed and built in Hamilton, Ont. And it only took a single June day to erect. More on that in a moment. Commissioned by a local entrepreneur with an NGO background – who connected with Wonder Inc. over the firm's work designing shipping container houses for post-Katrina New Orleans – Redhouse was imagined as a single-family home that could, if circumstances called for it, be cleaved into two townhomes. The client wanted space to live, but also hoped to house refugees, new Canadians and friends from abroad. "The single-family dwelling is intended to be a single-family dwelling," says Wonder Inc.'s Jason Halter, "only I think the client intends to redefine what ‘family' might mean in this context." After securing a building permit on a double-wide lot – one that had sat vacant for 50 years – Wonder Inc. designed an eight-container, three-storey residence resting on a 1,280-square-foot concrete base. "Our task was to rationalize what [the client] wanted, to orient the containers in such a way as to give separation for the individual bedrooms and to provide a massing that would be simple, and to potentially fit into the neighbourhood some way," says Halter. And it's the firm's biggest container build to date. Consisting of an octet of 8-by-40-foot modified high-cube containers custom-fastened to a foundation, the building is painted in red polyurethane paint – a deliberate nod to the neighbourhood's brick homes. Halter says the 2,560-square-foot structure will feature between four and six rooms; its ground floor will feature the kitchen – with an upcycled German system and refurbished radiators providing heat supplemented by a wood stove – as well as a living space, bathrooms, mechanical areas and storage, while the upper floor will house a master suite, additional bedrooms and a bathroom. Each bedroom features operable windows and balconies made from the shipping containers' barn doors, fastened with steel grafting. The roof will be topped with photovoltaic panels, and the excess energy they generate will be fed back to the grid. Though its layout will be flexible, its design was kept deliberately simple, embodying Wonder Inc.'s self-described lunch-bucket aesthetic. "Uncomplicated, systems-based, and resilient is how we would like to be seen," says Halter. "God may be in the details, but mother nature is in the materials, and we love raw steel, Douglas fir plywood, solid woods and plain stone finishes. The ambition was to use a highly restrictive material palette: I had proposed fewer than five materials throughout." Wonder Inc. and its building partner, StorStac, opted for a single-day installation. The measured steel work and levelling was prepared ahead of time, and after the units were delivered, a 200-tonne crane was used to stack the containers. Welding, building envelope modifications and structural reinforcement were all completed in a slim eight hours. Which isn't to say that the overall build is complete: some of the containers had interior finishing and glazing prearranged, though the final touches – as well as electricity, cladding and insulation, among others – will be completed by the owner.  "It’s a little bit of an epic task to try and do it without the experience of a contractor, but that’s also the magic of this build," says Halter. "You just don’t know how it might get completed. As a designer, I kind of like that challenge to see how the building will turn out."
To some of my architect friends, this is apocryphal, but to me, I welcome the chaos." - Wonder Inc. partner Jason Halter
Indeed, the building's final incarnation is out of Wonder Inc.'s hands. But that's the beauty of the shipping container: it's a blank canvas. Since its proliferation in the mid-20th century, the shipping container been always held the imagination of experimental designers, and Halter – along with architects like Wes Jones – have built careers with them. They're a format Halter believes can offer flexible, durable and cost-efficient housing solutions across the country – including the north. "In my mind, modified containers and hybrid versions we’ve designed and built are a super-efficient solution for housing challenges that require mid to long distance truck freight handling," he says. "The built-in logistic component of the shipping container and their robust frame and overall resilient integral skins are tremendous assets for many areas of geographically and geologically diverse regions of Canada." Read about Pilot Coffee's coffee-shop-in-a-container that dropped in Prince Edward County for the summer. [post_title] => Hamilton's First Shipping Container Home Was Built in a Day [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => shipping-container-home [to_ping] => [pinged] => [post_modified] => 2018-07-13 16:05:52 [post_modified_gmt] => 2018-07-13 20:05:52 [post_content_filtered] => [post_parent] => 0 [guid] => https://designlinesmagazine.com/?p=36033 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [5] => WP_Post Object ( [ID] => 34771 [post_author] => 19 [post_date] => 2018-07-13 10:29:38 [post_date_gmt] => 2018-07-13 14:29:38 [post_content] => Not all frogs are princes in disguise, and that’s a good thing. Take the cartoonish amphibian in a High Park splash pad in Toronto that’s actually a super fun water feature for kids. You’ll find it installed next to a 100-year-old oak tree, an initially daunting work-around that ended up inspiring the design. [caption id="attachment_34745" align="alignnone" width="1300"] This frog fountain made our summer.[/caption] Landscape architect Michael Pressutti of MEP Design Inc. paved the 400 square-metre pad (and custom seat wall) with a pigmented, poured-in-place concrete material that respects the tree’s meandering root system. The bespoke water features – like towering flowers (depending on your height), lily pads and a tall spray feature in the form of a tree – soak toddlers frolicking about. Parents can watch the action from the comfort of shaded Adirondak chairs. [post_title] => This Splash Pad Has the Cutest Water Feature Ever [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => high-park-splash-pad [to_ping] => [pinged] => [post_modified] => 2018-07-13 14:52:55 [post_modified_gmt] => 2018-07-13 18:52:55 [post_content_filtered] => [post_parent] => 0 [guid] => https://designlinesmagazine.com/?p=34771 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [6] => WP_Post Object ( [ID] => 35480 [post_author] => 19 [post_date] => 2018-07-12 16:01:29 [post_date_gmt] => 2018-07-12 20:01:29 [post_content] => The JWDA brass table lamp is Swedish designer Jonas Wagell’s take on an oil lamp. It comes with a timeless polished brass base that will acquire a natural patina over time, plus a bronzed brass dimmer knob suited to the dawn of electricity. $315, at Gron+White. Featured in Behold the Bronzed Lights of Summer From the manufacturer: Dimensions 29 cm x 17 cm / Materials: Stainless steel, solid brass or concrete, glass, dimmer / Colours: Brushed Steel, Mirror Polished Brass Light Grey/Brass / Voltage: 220V / Cord length: 200 cm  Care instructions: Use a soft dry cloth to clean. Do not use any cleaners with chemicals or harsh abrasives. Avoid using water. [post_title] => JWDA Brass Table Lamp [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => jwda-brass-table-lamp [to_ping] => [pinged] => [post_modified] => 2018-07-12 16:01:29 [post_modified_gmt] => 2018-07-12 20:01:29 [post_content_filtered] => [post_parent] => 0 [guid] => https://designlinesmagazine.com/?post_type=what&p=35480 [menu_order] => 0 [post_type] => what [post_mime_type] => [comment_count] => 0 [filter] => raw ) [7] => WP_Post Object ( [ID] => 34791 [post_author] => 19 [post_date] => 2018-07-12 15:39:53 [post_date_gmt] => 2018-07-12 19:39:53 [post_content] =>

The Selby Sherbourne St & Bloor St E Completion: 2018 From: $2,000/mo. (53 square metres)

Quick take: An upscale rental a stone’s throw from Mink Mile, Rosedale Ravine and the ROM, this slim red tower by MOD Developments and Tricon Capital incorporates the 130-year-old Gooderham House – a former dwelling of writer Ernest Hemingway – into its handsome base. If you haven’t read The Sun Also Rises, the Toronto Reference Library is a short jaunt away.   

From the street: Renowned Chicago firm bKL Architecture clad the 50-storey apartment building in red brick to match the stately manse – a loving restoration led by ERA Architects. By adding notched massing at the top, they simultaneously accommodated the neighbouring high-rise and created roomier upper-level floor plans.

Moving in: The Gooderham House was the starting point for designer Johnson Chou’s hybrid modern–traditional scheme for the 502 rental suites and common spaces. On the fourth floor, you’ll find contemporary touches like a breezily appointed indoor/outdoor entertainment space with refined stone surfaces, comfy sectionals and custom light-filtering wood privacy screens.

On the second storey, a rooftop pool with adjoining sauna promises luxurious at-home spa days – though it might be hard to leave one’s unit when there are natural-toned Scavolini kitchens and vanities, Caesarstone countertops and Whirlpool appliances (yes, even wine fridges) installed in the suites. triconhouse.com

[post_title] => Wait, There's a Brick-Clad High Rise in Toronto? [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => the-selby [to_ping] => [pinged] => [post_modified] => 2018-07-12 15:39:53 [post_modified_gmt] => 2018-07-12 19:39:53 [post_content_filtered] => [post_parent] => 0 [guid] => https://designlinesmagazine.com/?p=34791 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [8] => WP_Post Object ( [ID] => 35034 [post_author] => 13 [post_date] => 2018-07-11 09:00:51 [post_date_gmt] => 2018-07-11 13:00:51 [post_content] =>

A house built with John Pawson-esque minimalism – rift-cut white oak floors, walls washed in light – and Peter Zumthor-style craftsmanship – an exterior clad in handmade clay brick tiles, each uniquely mottled – might seem impossibly unlivable for a busy family. For architecture firm Atelier Kastelic Buffey (AKB), such contradictions, though, are a catalyst for creativity, and an opportunity to prove how their quiet yet bold approach works even in the most unexpected of circumstances.

On a leafy street in North Toronto, the studio recently completed a 925-square-metre residence (their largest to date) that is both a comfortable home for two parents and their four kids, and a museum-worthy backdrop for contemporary art, of which there’s plenty. It’s where spare grandeur – floor-to-ceiling arctic white doors – meets smart practicality; many of those panels conceal storage, powder rooms and other utilities.

[caption id="attachment_35163" align="alignnone" width="1300"] A two-sided Ortal fireplace, surrounded by hot-rolled steel, separates sunken living room and dining space. Build by Mazenga; tub chairs and coffee tables from Torp; art by Jeffrey Milstein.[/caption]

“Homes are intensely personal,” says architect Kelly Buffey, co-founder of AKB. “So, to develop the design, we spent a lot of time with the family, understanding exactly what they needed.” As such, the ground floor is a testament to the clan’s love of entertaining. The front vestibule has not only a coat closet dedicated exclusively to guests (and another specifically for the family), but a private sitting area to settle in before being shown in, perhaps to the sunken fireside living room with its Jeffrey Milstein photography and Danish-modern furniture

[caption id="attachment_35164" align="alignnone" width="1300"] A massive sliding door closes off the hustle and bustle of the kitchen (built by Erik Cabinets) from the dining room when need be. Pendants and stools from Klaus; dining table from Drechsel Studio; chairs from Torp.[/caption]

The family also loves to cook and entertain, so in addition to a massive kitchen, there are four places to share a meal, including a Corian breakfast bar, a long kitchen table and an outdoor pavilion with a built-in barbecue. The most exquisite food spot, though, is the dining room, centred around an AKB-designed white oak 18-seater, and edged by tinted-glass walls that open onto the backyard pool. Cleverly, it flows into the kitchen for easy catering, but has a hidden sliding door for privacy.

[caption id="attachment_35172" align="alignnone" width="756"] The second-storey landing opens up to a skylight that reaches nearly six metres above the main floor. Painting by Michael Adamson.[/caption]

Elsewhere, the circulation is equally consiered. The upper level is like a centrifuge. A wide, square walkway wraps around a sculptural, skylit staircase, acting as the arrivals and departures gate for the kids’ bedrooms (each with its own ensuite), a backyard-facing terrace, two dens and the master suite.

The home’s spare-yet-social personality extends to the exterior as well. AKB wanted it “to be respectful of its neighbours,” says Buffey. “But we also wanted it to be authentic to our time.” So, the studio used a hipped roof, complementing many of the adjacent places, then offset the peak, sliced the roof with a wraparound skylight, and clad the structure in contemporary, slate-grey bricks. “From afar, the brick tiles might read as one thing,” says Buffey of the hand-honed materials from Petersen Tegel. “But up close, they reveal a lot of depth, and a lot of craft."

Originally published in our Fall 2018 issue as New Horizons [post_title] => A Minimalist Roofline Belies a Grandiose Home [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => akb-minimalist-roofline [to_ping] => [pinged] => https://designlinesmagazine.com/best-new-homes-condos-issue/ [post_modified] => 2018-07-11 09:36:29 [post_modified_gmt] => 2018-07-11 13:36:29 [post_content_filtered] => [post_parent] => 0 [guid] => https://designlinesmagazine.com/?p=35034 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [9] => WP_Post Object ( [ID] => 35451 [post_author] => 19 [post_date] => 2018-07-11 08:55:27 [post_date_gmt] => 2018-07-11 12:55:27 [post_content] => Electric Current Swedish designer Jonas Wagell’s take on an oil lamp comes with a timeless polished brass base that will acquire a natural patina over time, plus a bronzed brass dimmer knob suited to the dawn of electricity. $315, at Gron+White.

Gravitational Pull For his FontanaArte debut, Sicilian architect Francesco Librizzi suspended a hand-blown white satin glass sphere within a thin metal frame that magically outlines its field of light. From $1790, at Lightform.

Half Moon London superstar designer Lee Broom looked to the solar system when designing the Crescent Lamp, a celestial globe split on an angle to reveal a brass core. Choose from two sizes. From $1390, at The Modern Shop

Gilded Cage The polished brass armature on Karl Zahn’s Atlas lamp introduces unexpected geometry – and classical metaphor – to lighting titan Roll & Hill. The radiant globe is also fully dimmable. $1960, at Hollace Cluny

Knows Ring Versatility is the essence of Neri & Hu’s nh1217: a softly glowing glass sphere that slides along a brushed brass ring, allowing the lamp to be carried, hung from the wall or laid flat on a tabletop. $430, at Artemide

[post_title] => Behold the Bronzed Lamps of Summer [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => behold-the-bronzed-lamps-of-summer [to_ping] => [pinged] => https://designlinesmagazine.com/where/hollace-cluny/ [post_modified] => 2018-07-11 09:37:12 [post_modified_gmt] => 2018-07-11 13:37:12 [post_content_filtered] => [post_parent] => 0 [guid] => https://designlinesmagazine.com/?p=35451 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [10] => WP_Post Object ( [ID] => 35699 [post_author] => 6 [post_date] => 2018-07-11 08:50:41 [post_date_gmt] => 2018-07-11 12:50:41 [post_content] => Henry Moore’s massive bronze sculpture gets some company this weekend as more than 300 visual artists fill Nathan Phillips Square with their own creative masterpieces. With thousands of affordably priced, original artworks on hand from various disciplines, it’s a perfect opportunity for everyone to kick off their art collection. Hot tip: If you need a little liquid courage before committing to a purchase, consider hitting up Henderson Brewery Co.’s beer garden first. And while you're at the Toronto Outdoor Art Fair, take a moment to get up close and personal with the artists, both established and emerging, and from here and afar, who will all be on site to talk process and technique. Whom to meet first? We asked the TOAF’s distinguished panel of judges, which includes Janet Macpherson, to identify the artists they’re most excited to see this year. Here are the six they unanimously recommend checking out:
1. The socially engaging 3D work of Shahrzad Amin, made from such materials as air-dry and wax clay, plaster, silicon, fiberglass and urethane resin. The character-rich sculptures by the Oakville native, who studied fine arts in Tehran, Iran, are definitely conversation-starters. Shown below: “Witnesses”. Toronto Outdoor Art Fair - Shahrzad Amin
2. The architectural cast glass tiles of Francis Muscat. A part-time professor at Durham College, the Maltese artisan’s astonishing mosaics and sculptures are regularly commissioned for gallery showings and custom home installations. Toronto Outdoor Art Fair - Francis Muscat
3. The designy craftwork of Marianna Chenard, highly regarded for her exploration of various technical treatments of clay surfaces. The Emily Carr Institute–trained ceramicist’s expertly rendered, functional objects reflects her interest in Canadian history, its landscapes, its status as a Nordic country, and the associated cliches that come with it. Toronto Outdoor Art Fair - Marianna Chenard
4. The textile-based sculpture of Helen Liene Dreifelds, an artist-in-residence at the Harbourfront Centre’s Craft & Design Studios. Her handwoven blanket installations – made from translucent nylon, cotton, wool, metal wire, flagging tape, reflective thread, and elastic cording – are motivated by the emotional and physical experience of change. Shown below: "Phase Change". Toronto Outdoor Art Fair - Helen Liene Dreifelds
5. The quiet power of Eunshin Grace Kim modern figure paintings, prints and drawings. Born in Seoul City and schooled at the University of New Hampshire, Kim’s oil-on-canvas works precisely convey feelings and provoke nostalgia. Shown below: “Young Officer” and “Lady”. [caption id="attachment_35730" align="alignnone" width="1300"] Toronto Outdoor Art Fair - Eunshin Grace Kim[/caption]
6. The handwoven cloth tapestries of Elycia SFA which explore the preservation and reconstruction of memory. Incorporating woven inlay and embroidery in her imagery, the OCAD-grad’s textiles are material archives of changing landscapes, domestic dwellings and the objects that inhabit them. Toronto Outdoor Art Fair - Elycia SFA [post_title] => 6 Must-See Artists to Meet at this Weekend's Toronto Outdoor Art Fair [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => 6-must-see-artists-toronto-outdoor-art-fair [to_ping] => [pinged] => https://designlinesmagazine.com/janet-macpherson/ [post_modified] => 2018-07-11 09:36:51 [post_modified_gmt] => 2018-07-11 13:36:51 [post_content_filtered] => [post_parent] => 0 [guid] => https://designlinesmagazine.com/?p=35699 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [11] => WP_Post Object ( [ID] => 34855 [post_author] => 19 [post_date] => 2018-07-04 09:10:36 [post_date_gmt] => 2018-07-04 13:10:36 [post_content] => Mary Ratcliffe was designing a “super cool” bunk bed for her client’s 12-year-old daughter, Stella, when a site visit to their unfinished loft put the kibosh on her idea. Rather than the spacious walk-in closet promised in the developer’s plan, she found a 7 metre-square cubbyhole with surprise corners and bulkheads. It was hardly the functional third bedroom her client (and doting dad) had envisioned. Her solution? Build upwards, making use of the loft’s ample ceiling height. [caption id="attachment_34848" align="alignnone" width="1300"] A talented carpenter, Mary Ratcliffe custom built and installed the solid walnut furniture herself.[/caption] “We took cues from the site’s industrial heritage and built a second floor out of LVLs (laminated veneer lumber) with exposed floor joists that give the bedroom a hard loft feel,” she says. This move nearly doubled the size of Stella’s nook to 12 square metres and gave Ratcliffe, a capable designer and furniture maker, further opportunities to show off her problem solving skills. Working with Radek Swiderski of Four Corners Construction, she devised a series of platforms – clever storage cubbies in disguise – and an open walnut staircase that puts shaky bunk bed ladders to shame. For the second floor, she fabricated and installed a custom L-shaped bench herself from solid black walnut, her client’s favourite material, while choosing unfussy birch plywood for the floors. [caption id="attachment_34851" align="alignnone" width="1300"] The hammock floor was sourced from a nautical supply company.[/caption] The only natural light pours in through a skylight on the second level. It was this light source that inspired the nook’s main attraction: the light-filtering hammock floor. The netting was sourced from a yacht supply company in Florida that typically outfits luxury catamarans. From Ratcliffe’s perspective, the “netting gave us more floor space upstairs while letting light filter down into the first floor bedroom.” For Stella, it’s simply the ultimate chill out zone, and a far cry from a closet. Read how design studio Boychuk Fuller turned their attic into a treehouse for grown-ups in the second chapter of our Closet Space series. [post_title] => How a Walk-in Closet Became a Soaring Loft Bedroom [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => mary-ratcliffe-closet-bedroom [to_ping] => [pinged] => [post_modified] => 2018-07-04 09:14:02 [post_modified_gmt] => 2018-07-04 13:14:02 [post_content_filtered] => [post_parent] => 0 [guid] => https://designlinesmagazine.com/?p=34855 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) ) [post_count] => 12 [current_post] => -1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 18328 [post_author] => 14 [post_date] => 2015-12-02 15:49:52 [post_date_gmt] => 2015-12-02 20:49:52 [post_content] => Best wishes for the holidays, from all of us at Designlines. We’re taking a short break, but will be back on January 4. Meanwhile, here’s some year-end reading: Brookfield Place, 181 Bay St. How Downtown Decorates for the Holidays DL-1215-BestofYear-Alannas 2015 in Review: Our Most Popular Stories DL-1215-BestofYear-Molteni3 2015 in Review: Toronto's Best New Design Stores DL-1015-DiningRooms-3 Design Ideas from 12 Fresh, Real-Life Dining Rooms  [post_title] => Happy Holidays from Designlines [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => happy-holidays-from-designlines [to_ping] => [pinged] => https://designlinesmagazine.com/2015-in-review-our-most-read-stories/ https://designlinesmagazine.com/toronto-office-towers-christmas-decorations/ https://designlinesmagazine.com/photo-gallery-dining-rooms/ [post_modified] => 2016-01-04 11:02:36 [post_modified_gmt] => 2016-01-04 16:02:36 [post_content_filtered] => [post_parent] => 0 [guid] => https://designlinesmagazine.com/?p=18328 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [comment_count] => 0 [current_comment] => -1 [found_posts] => 938 [max_num_pages] => 79 [max_num_comment_pages] => 0 [is_single] => [is_preview] => [is_page] => [is_archive] => [is_date] => [is_year] => [is_month] => [is_day] => [is_time] => [is_author] => [is_category] => [is_tag] => [is_tax] => [is_search] => 1 [is_feed] => [is_comment_feed] => [is_trackback] => [is_home] => [is_404] => [is_embed] => [is_paged] => [is_admin] => [is_attachment] => [is_singular] => [is_robots] => [is_posts_page] => [is_post_type_archive] => [query_vars_hash:WP_Query:private] => 9c476237b580a66744e0ec605d104b90 [query_vars_changed:WP_Query:private] => 1 [thumbnails_cached] => [stopwords:WP_Query:private] => Array ( [0] => about [1] => an [2] => are [3] => as [4] => at [5] => be [6] => by [7] => com [8] => for [9] => from [10] => how [11] => in [12] => is [13] => it [14] => of [15] => on [16] => or [17] => that [18] => the [19] => this [20] => to [21] => was [22] => what [23] => when [24] => where [25] => who [26] => will [27] => with [28] => www ) [compat_fields:WP_Query:private] => Array ( [0] => query_vars_hash [1] => query_vars_changed ) [compat_methods:WP_Query:private] => Array ( [0] => init_query_flags [1] => parse_tax_query ) ) -->