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[post_title] => Submit to Designlines [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => submit [to_ping] => [pinged] => [post_modified] => 2017-03-23 13:18:23 [post_modified_gmt] => 2017-03-23 17:18:23 [post_content_filtered] => [post_parent] => 0 [guid] => http://dl.newbox.ca/?page_id=274 [menu_order] => 0 [post_type] => page [post_mime_type] => [comment_count] => 0 [filter] => raw ) [4] => WP_Post Object ( [ID] => 41844 [post_author] => 13 [post_date] => 2019-05-15 09:04:11 [post_date_gmt] => 2019-05-15 13:04:11 [post_content] =>

Ingrid and Nesmith Chingcuanco aren’t the type to fret about a wall colour or agonize over a dozen sofas before settling. Function is the couple’s shared desire in a home. So after buying their first condo, they arrived at their new Bay Street high-rise with nothing but a mattress.

As a pre-reno exercise, the couple ghost-lived in the unit for three weeks (they still had their old place), searching for the places where their elbows knocked and the floorplan failed. It’s how they determined the master shower was too tight, the third bathroom’s inner self was clearly a laundry room, and the crowded eat-in kitchen would definitely need to open up.

Faced with mismatched flooring, French doors and turn-of-the-millennium lighting, the couple found themselves dreaming of a calm aesthetic and an honesty of materials – a holistic space in which everything from lighting to a place to put your keys was thoughtfully networked.

[caption id="attachment_41853" align="alignnone" width="1300"] Millwork (all by Caledon Woodworks) in the foyer stretches 6.5 metres, concealing closets and a powder room.[/caption]

Enter Michael Taylor of Taylor Smyth Architects, who took one look at the non-load-bearing partition walls and popcorn ceilings and said “Scale it all back.” Beneath them, wide structural columns and bare concrete slab awaited, joining the wall-to-wall windows to create the perfect minimalist palette.

[caption id="attachment_41851" align="alignnone" width="1300"] Off the foyer, the ceiling in the kitchen – demarcated by the Caesartone-topped island, stainless steel backsplash and raw concrete columns – soars to three metres. Range and hood by Miele; bar stools from Torp Inc.[/caption]

In the space’s new incarnation, panels of oak bring warm contrast to the condo’s industrial concrete. Wrapping walls and ceiling, the custom millwork imparts a sandy glow to the once-dark corridor that leads to the core of the now one-bedroom (plus den) unit. The hallway becomes open and functional, hiding closets, storage and the powder room. In the living room, a second oak envelope unites the entertainment unit and ceiling, with a special intervention above the dining table: a row of planks and voids that poetically defines the space as its own.

The two structures have a dialogue of scales with one another. As you walk in, the wrapped ceiling is slightly more intimate. Coming into the living room, where it’s higher, there’s a sense of release.” — Michael Taylor

More warmth is sneakily supplied by recessed perimeter lighting throughout, lending a lovely evening incandescence and accenting the track lighting built into the oak panels. Barely-there fixtures in the office and above the dining table complete the strategy. “One approach is to do something that’s a real feature above the table,” says Taylor. “But that would detract from the unity of the space. We went with something very minimal, the same aesthetic as everything else.”

[caption id="attachment_41852" align="alignnone" width="1300"] To create intimacy in the dining room, the ceiling was lowered to 2.8 metres. Custom entertainment unit by Caledon Woodworks; table and chairs from Torp Inc.; bar stools from Kiosk.[/caption]

And challenging the assumption that galley kitchens are cramped, a two-sided breakfast bar and parallel countertops are separated by what Taylor calls a “critical dimension” – allowing team cooking, spectatorship and room to mingle during a party.

[caption id="attachment_41849" align="alignnone" width="1300"] A custom white oak unit in the master bedroom houses a platform bed with two nightstands. European white oak flooring throughout from Stone Tile.[/caption] [caption id="attachment_41854" align="alignnone" width="1300"] In the master bath, walls are clad with mosaic tile from Ciot. The floating, illuminated white oak vanity is topped with Corian; faucets from Ginger’s.[/caption]

As a redesign, it’s proof that 116 square metres can work as hard, functionally, as a storeyed home – with the right vision. Low-to-the-ground furnishings and select artworks round out the space: a splash of colour here, a hit of texture there. But generally, it’s the architecture that shines. As Taylor notes, “It’s a space that speaks for itself – you don’t need a lot of embellishments.”

Originally published in our Small Spaces, Smart Solutions 2019 issue as Know Your Angles.

[post_title] => A Bay Street Condo Rescued from the Mid-2000s Blahs [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => a-bay-street-condo-rescued-from-the-mid-2000s-blahs [to_ping] => [pinged] => [post_modified] => 2019-05-15 09:18:53 [post_modified_gmt] => 2019-05-15 13:18:53 [post_content_filtered] => [post_parent] => 0 [guid] => https://designlinesmagazine.com/?p=41844 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [5] => WP_Post Object ( [ID] => 42731 [post_author] => 19 [post_date] => 2019-05-13 11:25:45 [post_date_gmt] => 2019-05-13 15:25:45 [post_content] => These week-long summer camps at the Daniels Faculty of Architecture, Landscape and Design introduce kids to the world of design. The camps ask: how might drones, a disruptive technology, change the urban landscape of the future? To get an answer, camp-goers aged 9-11 years old will have the chance to fly drones through model cities made from scratch. In addition to city building, participants will also take a Flying Ball Drone and a Makeblock Airblock drone home with them at the end of the programs, as well as their own laser cut keychain. But the day camps don'y just focus on design, they also include physical activities and team building fun. Parents are invited to see their mini-designer's achievements at end-of-week showcases. For more information about summer camp programming at 1 Spadina Crescent, visit Daniels Bits & Bites. Dates: Session 1: Monday July 8 to Friday, July 12, 2019; Session 2: Monday July 15 to Friday, July 19, 2019 [post_title] => "Drones in the City" Summer Camp Takes Off at Daniels [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => drones-in-the-city-summer-camp-takes-off-at-daniels [to_ping] => [pinged] => [post_modified] => 2019-05-13 11:36:37 [post_modified_gmt] => 2019-05-13 15:36:37 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.designlinesmagazine.com/?post_type=events&p=42731 [menu_order] => 0 [post_type] => events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [6] => WP_Post Object ( [ID] => 42724 [post_author] => 19 [post_date] => 2019-05-07 11:22:49 [post_date_gmt] => 2019-05-07 15:22:49 [post_content] => Designer Patricia Urquiola was drawn to the warmth and malleability of felt -- but wasn't enamoured with its manufacturing heritage. With Nuance, her all-felt collection for Gan, she uses discarded recycled fibres to achieve a stone-like look. The collection features three rug designs - Curve, Line, Round - and a puff. These can be combined to create unique architectural formations that look remarkably similar to concrete or terrazzo. [post_title] => Patricia Urquiola Creates Stone-Like Textiles for GAN [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => patricia-urquilola-creates-stone-like-textiles-for-gan [to_ping] => [pinged] => [post_modified] => 2019-05-07 12:37:45 [post_modified_gmt] => 2019-05-07 16:37:45 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.designlinesmagazine.com/?post_type=what&p=42724 [menu_order] => 0 [post_type] => what [post_mime_type] => [comment_count] => 0 [filter] => raw ) [7] => WP_Post Object ( [ID] => 42690 [post_author] => 22 [post_date] => 2019-05-07 09:45:33 [post_date_gmt] => 2019-05-07 13:45:33 [post_content] => Black Matte Finishes While white and light-toned kitchens remain the default choice for many, a luxe black matte finish offers a daring – yet tactfully subdued – presence. Sophisticated and stylish, darker hues create a enticingly bold presence, while matte finishes lend a sense of tactile simplicity to the space. Trevisana Kitchens, Black Matte Finishes Easily paired with a variety of hues and finishes – as well as stone pieces – a darker colour palette also allows for playful moments of high contrast, elegantly framing lighter elements. The sleek simplicity of black matte finishes creates a fresh yet timelessly modern look that makes the kitchen a highlight of any home. Wood Tones Trevisana Kitchens In recent decades, wood finishes were associated with faux-traditional kitchens and tired 1970s aesthetics. No longer. Contemporary wood finishes from Trevisana Kitchens offer an ambiance of warmth and comfort, all while maintaining an appealingly clean, modern look. Trevisana Kitchens Amidst the sleek and sanitized finishes that dominate contemporary kitchens, the rich grain of wood always offers a pleasingly earthy complement. Bringing natural tones into the space, wood finishes are a versatile design element, easily matching with a range of colours and furnishings to create aesthetically unified living spaces with a distinctly welcoming ambiance. Concealed Storage In home décor, less is almost always more. However, while the trend towards clean lines and unobstructed spaces has inspired appealingly streamlined spaces, a well-stocked kitchen can easily become cluttered, compromising even the best design. Trevisana Kitchens Luckily, new kitchens are increasingly being designed with deftly concealed storage, creating functional spaces that maintain a crisp and minimal aesthetic. Doing away with knobs and handles, streamlined storage solutions allow access with a simple push. The emphasis on simplified storage spaces declutters the kitchen on two fronts – tucking away unused cookware and appliances while making the space itself more visually appealing. Integrated Appliances Trevisana Kitchens As compact urban living spaces become the norm, integrated appliances offer a space-saving and aesthetically sophisticated design solution. Perfectly fitted to the space, built in appliances help maximize usable surface and storage space while doing away with the nooks and cracks that can make kitchens notoriously hard to clean. Trevisana Kitchens A hallmark of high-end kitchen design, integrated appliances create a luxurious ambiance while seamlessly blending in with the cabinetry for a streamlined aesthetic. Industrial Shelving Trevisana Kitchens Modular and uncomplicated, simplified shelving units offer light and versatile storage solutions with an on-trend industrial simplicity. In open concept homes, kitchen shelving can also serve as a partition wall, separating cooking and living areas into discrete spaces while maintaining a sense of airiness continuity – often making the home appear larger. Trevisana Kitchens Strategic use of materials in these shelves can add significant visual interest, texture and personality, all while serving as an elegant backdrop for an urban dwelling. [post_title] => Five Design Trends Bringing New Urban Sophistication to Kitchens [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => trevisana-kitchens-urban-sophistication [to_ping] => [pinged] => [post_modified] => 2019-05-07 16:22:23 [post_modified_gmt] => 2019-05-07 20:22:23 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.designlinesmagazine.com/?p=42690 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [8] => WP_Post Object ( [ID] => 41936 [post_author] => 13 [post_date] => 2019-05-07 09:01:03 [post_date_gmt] => 2019-05-07 13:01:03 [post_content] =>

For those of you who have been holding your breath to see industrial designer, architect and artist Ron Arad’s Safe Hands sculpture at the site of Hariri Pontarini Architects–designed One Bloor: good news.

The pair of dancing metallic columns – composed of 31-metre-tall stacks of partially crushed metal tubing produced by Toronto artisan Stephen Richards – have officially been installed by Great Gulf. Reflected in the condo’s glass facade, the twisting pillars might look close to toppling over. Trust us, though: the piece is perfectly safe, and it’s highly recommended that you circle this new public treasure. 

Originally published in our Small Spaces, Smart Solutions 2019 issue as The Big Reveal.

[post_title] => Ron Arad Brings "Safe Hands” to One Bloor [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => ron-arad-safe-hands-brings-art-to-one-bloor [to_ping] => [pinged] => [post_modified] => 2019-05-07 12:36:28 [post_modified_gmt] => 2019-05-07 16:36:28 [post_content_filtered] => [post_parent] => 0 [guid] => https://designlinesmagazine.com/?p=41936 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [9] => WP_Post Object ( [ID] => 42667 [post_author] => 19 [post_date] => 2019-05-07 09:00:22 [post_date_gmt] => 2019-05-07 13:00:22 [post_content] =>

Carrie Mae Weems - Heave

This year’s CONTACT headliner, Carrie Mae Weems, has been deemed America’s greatest living photographer by T: The New York Times Styles Magazine. The 66-year-old, African American MacArthur grant genius has a multipart presence at the festival (the photo above is from Blending the Blues). In her Heave installation, she uses quotidian constructed spaces – the classroom, living room and entertainment complex – to explore “how violence is an ongoing history that pulses through our present.” For instance, one of the rooms presented features a mid-century modern desk furnished with a set of bound books bearing the titles The Prison Industrial Complex, The Battle for Representation, The Skin in the Game, The Corporate State, and Spies, Surveillance, and Cyber Attacks. Hers is an oeuvre that everyone should know. May 4–July 27, Art Museum at the University of Toronto, Justina M. Barnicke Gallery, 7 Hart House Circle

Geoffrey James - Working Spaces | Civic Settings: Jože Plečnik in Ljubljana 

In black-and-white images taken with a hand-held camera, Toronto photographer Geoffrey James – the city’s first Photo Laureate – documents the gesamtkunstwerk of Slovenian Jože Plečnik: the transformation of Ljubljana into a city with a great civic energy. As the curators note, “Plečnik excavated the original Roman walls, created new avenues and squares, built an eccentrically ornamented sluice gate that tamed the city’s unruly river, and then went on to create of series of brilliant urban spaces” – with his National and University Library the crowning achievement. May 1–July 12, Daniels Faculty of Architecture, Landscape, and Design, 1 Spadina Crescent

Eliot Wright - Further Along the Road

Eliot Wright spent years photographing Dupont Street, a motley street that is rapidly being developed. It started out as an industrial strip – bounded by the Canadian Pacific Railway to the north – and is now home to a mix of hardware stores, garages, restaurants, galleries and boutiques. With a slate of new condos on the horizon, this eclectic thoroughfare is headed for another overhaul. Although urban landscapes are always in flux, Wright’s photos ask us to consider what might be lost in the frenzy to add density to this area. May 1 - July 31, Urbanspace Gallery, 401 Richmond Street West

Adam Swica – Placeholders 

Is that a glacier, a building, perhaps a metal box that the sunlight is angling off? Swica’s voids make you question not only what you are looking at but from where. Might you be inside the vessel being shot through with rays, or outside of it? Studio-constructed and based on celestial coordinates, Swica’s photography offers no fixed sense of place just that wide-eyed, “original sense of wonder”. May 10-Jun 15. Christie Contemporary, 64 Miller Street

Shari Kasman - Memories of Galleria Mall

Toronto’s Galleria Mall has stubbornly refused to keep up with the architectural times. In fact, it feels frozen in  Not surprisingly, it’s being swept aside for a colossal mixed-use development. While the city desperately needs more housing, the shopping centre’s role in the neighbourhood shouldn’t be overlooked. As Kasman shows, the mall was a watering hole for the surrounding community, replete with quirky small businesses that will be sorely missed. In the rush for density, are we actually being short changed? May 3-5, Geary Lane, 360 Geary Avenue

Thomas Brasch - Out of the Darkness

The interior of a stained-glass dome, the iris of an exotic creature – Thomas Brasch’s imagery is so curious, otherworldly, foreign, it’s hard to believe that it is indeed based on real-life, close-to-home tragedies. Architecturally based and digitally-manipulated, his abstractions of European and North American cities, including Toronto, are meant to focus the viewer away from the why and the despair of tragedy and toward the power and beauty of resiliency and healing. May 16-Jun 16. Sheldon Rose Gallery, 1710 Avenue Road

Patrick Cummins and Ivaan Kotulsky - ON-FOOT: West Queen West

Local street photographers Cummins and Kotulsky have photographed Queen West for over forty years, capturing its grit and many transformations. This exhibition of photographs - think graffitied walls and smoking teens - is accompanied by journalist and historian Garvia Bailey's insights. Visitors will also be able to download the "ON-FOOT" app, which allows users to take a self-guided tour of Queen Street. May 20-30, Toronto Media Arts Centre, 32 Lisgar Street [post_title] => 7 Unmissable Exhibits at the Contact Photography Festival 2019 [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => 7-unmissable-exhibits-at-the-contact-photography-festival-2019 [to_ping] => [pinged] => [post_modified] => 2019-05-07 12:35:59 [post_modified_gmt] => 2019-05-07 16:35:59 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.designlinesmagazine.com/?p=42667 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [10] => WP_Post Object ( [ID] => 41827 [post_author] => 13 [post_date] => 2019-05-01 10:27:06 [post_date_gmt] => 2019-05-01 14:27:06 [post_content] =>

With Toronto’s stock of detached homes in short supply, laneway houses are an enticing alternative to condo living – and thanks to recent changes in city zoning laws, building one is now within reach of many more homeowners. Your laneway dream house, however, comes with its own unique set of challenges, and requires copious planning, imaginative design and a lot of patience. In the case of this modern 135-square-metre home in Harbord Village, currently used as a medium-term rental, the results were worth the effort.

A collaboration between ZZ Contracting’s Zeke Kaplan, who is also the property owner, and Brock James of LGA Architectural Partners, this project began with a crumbling, 100-year-old house set directly against the property’s back lane. Working within the existing two-storey envelope and utilizing 50 per cent of the existing structure allowed LGA (along with Moses Structural Engineers) to build without seeking zoning variances – a potentially difficult and time-consuming process.

[caption id="attachment_41831" align="alignnone" width="1300"] A deep Douglas fir surround in the living room frames the bi-fold front entrance door by Bigfoot. Radiant-heated polished cement floors run throughout.[/caption] [caption id="attachment_41834" align="alignnone" width="1300"] Kent Aggus of Built Work designed the Douglas fir kitchen, including the middle stair that extends across to a room-dividing unit, and acts as a bench containing storage.[/caption]

The site’s dimensions necessitated some creative design solutions to maximize space, like a sunken kitchen and oversized “dormers” to house the upper bedrooms. “The design demarcates spaces while also using the square footage in a unique way,” says Kaplan. “The actual footprint of the building hasn’t changed, but between adding dormers and the split-level design, it feels a lot bigger than it actually is.”

[caption id="attachment_41830" align="alignnone" width="1300"] The metal stair (by Uni-Tech Metal Works) that connects the first and second floors was soldered on site. Perforated magnetic steel panels on the columns conceal services.[/caption] [caption id="attachment_41835" align="alignnone" width="1300"] In the upstairs bathroom: operable skylight by Velux, glass tiles from Olympia, solid Bianco Namibia marble from Counter Culture and shower fixtures from Roman Bath Centre.[/caption]

Further maximizing the livable area, the home’s glass front accordions open, turning the lush, landscaped yard into an extension of the living room. Upstairs, the master bedroom similarly opens onto a small green roof planted with lavender. Rather than trying to hide the laneway, lane-facing clerestory on the main floor is positioned above head height, ensuring privacy while allowing for light, air-flow and a perfectly framed view of the patinated garages nearby.

[caption id="attachment_41832" align="alignnone" width="1300"] In the northeast-facing guest bedroom, the window glass is mitred to allow for full views of the neighbourhood. Bed from Ikea.[/caption]

The site’s size and location required rethinking otherwise routine operations, like pumping concrete through an unfinished skylight and using trenchless “torpedo” technology to run gas, sewage and power lines underground from the street. The project also necessitated constant cooperation with neighbours to ensure supplies, contractors and machinery could come and go for the duration of the year-long build. “There were a lot of conversations,” says Kaplan. “We were mindful of the density and wanted to communicate that, just so everyone was on the same page.”

[caption id="attachment_41833" align="aligncenter" width="1300"] The front of the laneway house, facing onto the shared property, is clad with restored Douglas fir barnboard salvaged from the original structure. Below the dormers, the roof is planted with lavender.[/caption]

None of this complex process is obvious from the finished product, which sits clad in a grey, seamed metal. It’s the only one of its kind on this laneway but, judging from the interest both Kaplan and LGA have received from this project so far, that may not be the case for long.

[caption id="attachment_41840" align="alignnone" width="1300"] Section drawings show a) from the south, the house’s relationship with the laneway to the west and property to the east, and b) the split-level design, where floors are lifted or lowered for maximum ceiling height.[/caption]  

Originally published in our Small Spaces 2019 issue as Street Smarts.

[post_title] => The Laneway House that Harbord Village Built [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => the-tiny-laneway-house-that-harbord-village-built [to_ping] => [pinged] => [post_modified] => 2019-05-01 13:20:56 [post_modified_gmt] => 2019-05-01 17:20:56 [post_content_filtered] => [post_parent] => 0 [guid] => https://designlinesmagazine.com/?p=41827 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [11] => WP_Post Object ( [ID] => 42522 [post_author] => 19 [post_date] => 2019-05-01 09:44:30 [post_date_gmt] => 2019-05-01 13:44:30 [post_content] => Well-built, muscular, and loaded with top tier players – “fully stacked” is a term you might use to describe a winning sports team. It’s a term we’d use for a project, too, particularly one originated by a big thinker, built by leading architects, and populated by a stable of premium, mostly-local brands. Yes, Stackt is fully stacked and, now that this mixed-use, all-season public market at Bathurst and Front streets is open to the public, you too can go see what makes this project a winner. Designed by LGA Architectural Partners’ Janna Levitt and Danny Bartman with Stackt founder Matt Rubinoff, the soon-to-be-bustling community hub – Canada’s largest shipping container marketplace – temporarily inhabits the site of a former smelting plant. The 2.4-acre-lot, roughly the size of two city blocks, is built up using 120 reclaimed shipping containers. These, as you’ve gathered, are stacked, with those on the bottom being retrofitted and occupied by pop-ups, creative incubators, and 30+ retailers and food and beverage vendors. The 40-foot-long containers are often combined to meet specific occupant’s needs: for instance, Belgian Moon uses three conjoined crates to house its brewing equipment. Other inhabitants, like COFO, Dresden Vision, Reunion Island Coffee and Donut Monster, more than make do with one or two. [caption id="attachment_42530" align="aligncenter" width="1300"] Wall painting by Alfalfa.[/caption] The shipping containers up top will act as large canvasses for local and international artists, drawing attention to the site from the many surrounding condo developments and office towers, and pulling visitors from the nearby Fort York and the Bentway with stunning murals. In fact, much is being done to further beautify the site which already boasts a 25-car parking lot and massive bike rack. Later this spring interior courtyards and pedestrian pathways will be planted, a canopy of greenery will be strung from the upper containers, a public greenhouse will open, and a large shading-device will be installed by Stacklab. All of which encourage visitors to partake in the many events and other cultural programming that is scheduled to take place outdoors and all year long. After a two-year lease runs its course, the city-owned property is slated to be converted into a public park with Stackt’s physical structure picked up and moved elsewhere. Until then, this fully stacked project is setting a precedent for future temporary developments in the city, and even nation-wide. Stackt Market is located at 28 Bathurst, at the corner of Bathurst and Front streets. It is open Monday to Saturday 10-7 and Sunday 11-6. Stacktmarket.com [post_title] => Toronto's "Fully Stacked" Shipping Container Market is Now Open [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => torontos-fully-stacked-shipping-container-market-is-now-open [to_ping] => [pinged] => https://designlinesmagazine.com/cofo-wants-to-manufacture-your-really-good-furniture-ideas/ [post_modified] => 2019-05-01 13:21:32 [post_modified_gmt] => 2019-05-01 17:21:32 [post_content_filtered] => [post_parent] => 0 [guid] => https://designlinesmagazine.com/?p=42522 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) ) [post_count] => 12 [current_post] => -1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 18328 [post_author] => 14 [post_date] => 2015-12-02 15:49:52 [post_date_gmt] => 2015-12-02 20:49:52 [post_content] => Best wishes for the holidays, from all of us at Designlines. We’re taking a short break, but will be back on January 4. Meanwhile, here’s some year-end reading: Brookfield Place, 181 Bay St. How Downtown Decorates for the Holidays DL-1215-BestofYear-Alannas 2015 in Review: Our Most Popular Stories DL-1215-BestofYear-Molteni3 2015 in Review: Toronto's Best New Design Stores DL-1015-DiningRooms-3 Design Ideas from 12 Fresh, Real-Life Dining Rooms  [post_title] => Happy Holidays from Designlines [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => happy-holidays-from-designlines [to_ping] => [pinged] => https://designlinesmagazine.com/2015-in-review-our-most-read-stories/ https://designlinesmagazine.com/toronto-office-towers-christmas-decorations/ https://designlinesmagazine.com/photo-gallery-dining-rooms/ [post_modified] => 2016-01-04 11:02:36 [post_modified_gmt] => 2016-01-04 16:02:36 [post_content_filtered] => [post_parent] => 0 [guid] => https://designlinesmagazine.com/?p=18328 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [comment_count] => 0 [current_comment] => -1 [found_posts] => 1134 [max_num_pages] => 95 [max_num_comment_pages] => 0 [is_single] => [is_preview] => [is_page] => [is_archive] => [is_date] => [is_year] => [is_month] => [is_day] => [is_time] => [is_author] => [is_category] => [is_tag] => [is_tax] => [is_search] => 1 [is_feed] => [is_comment_feed] => [is_trackback] => [is_home] => [is_404] => [is_embed] => [is_paged] => [is_admin] => [is_attachment] => [is_singular] => [is_robots] => [is_posts_page] => [is_post_type_archive] => [query_vars_hash:WP_Query:private] => 9c476237b580a66744e0ec605d104b90 [query_vars_changed:WP_Query:private] => 1 [thumbnails_cached] => [stopwords:WP_Query:private] => Array ( [0] => about [1] => an [2] => are [3] => as [4] => at [5] => be [6] => by [7] => com [8] => for [9] => from [10] => how [11] => in [12] => is [13] => it [14] => of [15] => on [16] => or [17] => that [18] => the [19] => this [20] => to [21] => was [22] => what [23] => when [24] => where [25] => who [26] => will [27] => with [28] => www ) [compat_fields:WP_Query:private] => Array ( [0] => query_vars_hash [1] => query_vars_changed ) [compat_methods:WP_Query:private] => Array ( [0] => init_query_flags [1] => parse_tax_query ) ) -->